AI Media Production
Every video beside this was generated with AI. Nobody booked a studio, scouted a location, or hired a crew. This does not replace filming in every case, but in a great many it is the faster, cheaper, and only way to get the shot in your head. Look at the work first, then read the rest.
Brief
Model sheet
Shooting board
Production
Final delivery within 10 days of the deposit
The work
Every video here was generated with AI and published on a client's channels. Click any one and it plays right here.
A narrative campaign with characters and scenes, and that's the hardest type in generative production.
See the work
Tech product: Fully controllable lighting and shadows without a studio.
See the work
A drink commercial in a real location, no traveling or renting a location.
See the work
Macro shots of ingredients while they're moving, filming them takes a day and some equipment.
See the work
Food ad: Movements and saturated colors, and that's the hardest thing to imagine.
See the work
A product ad that focuses on the texture of the skin and the details that the camera misses.
See the work
No mockups and no experiments. Every video was delivered to a client and published.
See all the workMore work onInstagramFacebook
If this is close to what is in your head, tell us the idea and you get a quote back.
Request a quoteThe cost
Let us agree on one thing: AI does not mean free. It means the same idea executed for less than it would cost to execute for real.
The traditional route
One product film, at the level of lighting and detail in the work you just watched.
Estimated cost
50,000 EGP
Per film, before counting the day it took out of your calendar.
With us
A 15 to 30 second film, in every ratio you need.
Price
10,000 - 15,000 EGP
Per film, by length, shot count, and ratios. It drops when several films are made together.
If you are shopping for the lowest price, you will find lower than us. What we sell is not the price. It is the same idea that would have cost you a full shoot day, for a fraction of it and in less time.
A shoot day is not just paid for, it is attended. Scheduling, travel, standing on set, waiting on the light. You pay less and you buy time back, and that time returns to your business.
Not sure whether your case is a shoot or AI? Tell us and you get an honest read.
Ask usThe comparison
We do both, so we have no stake in selling you one. Here is the honest comparison, so you can place your own case.
Reaches shots filming cannot, with a flexibility no shoot can offer
And when it does, we say so, and can help
The formats
Each format takes different work, different time, and a different price. The first job is deciding which one you need.
What you receiveA 15 to 30 second film in 9:16, 1:1, and 16:9
What you receiveShort-form film with motion and macro detail
What you receiveA 30 to 60 second film with characters and scenes
What you receiveLogo animation, infographics, and explainer content
How it runs
AI production is not a button. It has stages, and each one has a written approval point. Every revision happens in those stages, before production starts.
Step 1
We learn the product, the audience, and the message, and you choose which products appear. We collect real product photography and your brand assets.
OwnerYou choose, we ask
Step 2
Before any scene, you get the model sheet: how the generated model or character looks, and how your product sits in frame. This is the first approval point, and revisions here are open. Nothing proceeds until you sign it off.
OwnerWe make, you approve
Step 3
Once the model is approved, we present the shooting board: every shot in every film, in order, and what each one carries. This is the last point at which anything changes, and we work it with you until it is right.
OwnerWe make, you approve
Step 4
Approving the shooting board is what starts production. We generate the shots and a person reviews every one before it passes, redoing whatever misses. From here the work is executed exactly as approved.
OwnerUs
Step 5
You receive the final films in the agreed ratios at full quality, and usage rights transfer to you in full on final payment.
OwnerUs
We do not say unlimited revisions, because the phrase means nothing. We say something clearer: revisions are open through the model sheet and the shooting board, and closed once you approve them. Anything after that is quoted as new work, and we tell you so on day one, so the approval is a decision rather than a formality.
The limits
AI is improving quickly, but some things it still does badly. Here they are, so you do not waste a week finding out.
Why
Generating an employee, a customer, or a public figure without written permission is both a legal and an ethical problem. If you want real people in the ad, that is a shoot, not AI.
Why
The easiest thing in the world is to take a competitor's ad and make one like it. That puts you in a comparison you have already lost, and it can infringe their rights.
Why
A product with fine print on the pack or precise mechanical detail needs many more passes. We tell you at the brief if yours is that kind, and sometimes we mix: the product photographed, composited into a generated scene.
Why
AI makes small mistakes a trained eye catches: an extra finger, a logo that drifted, a shadow that does not make sense. Every shot is reviewed before it ships.
If those limits are clear and workable, the next step is simple.
Request a quoteQuestions
Full answers, not headlines. If your question is not here, ask, and you will get the same directness.
It depends on the type of scene. Inanimate products, food, macro, and abstract imagery have become convincing enough that most people cannot tell, and every piece of work above is that kind, so judge for yourself. Human faces in close, sustained shots remain harder, and we say so before we start. One thing worth knowing: audiences no longer treat this as a flaw. An ad with a good idea works whether it was filmed or generated, and an ad with no idea fails either way.
It varies by case, but the practical comparison runs like this. A shoot day needs a crew, gear, a location, a food stylist if there is food, and scheduling around everyone's calendar, and any reshoot means a second day at full cost. AI removes those line items and puts the cost into time and revisions instead. The biggest difference is not the price though, it is the edit: a second version in a different colour, a different offer, or a different size is a revision rather than a reshoot. That flexibility is what saves the most over a year.
We work from real photographs of your product as reference and confirm the details with you at the shooting board stage, before anything moves: colour, texture, logo, proportions. For simple and mid-complexity products the accuracy is very high. For products with fine print on the packaging or precise mechanical detail, we tell you at the brief that it will take more passes, and we often propose a hybrid: photograph the product once and composite it into a generated scene. That gives you photographic accuracy with AI flexibility.
Final delivery within 10 days of the deposit landing, and that is the figure written into the quote. Those days cover the brief, the model sheet, the shooting board, and then production. Narrative campaigns with characters and many scenes take longer, and the quote states the period up front. The thing that delays projects is rarely the production, it is the approvals: the clock starts at the deposit and pauses every time we are waiting on you. If the shooting board sits for a week, the project moves a week.
Yes. Full usage rights transfer to you on final payment, to use anywhere and for as long as you like, with no need to come back to us. We deliver in the agreed ratios (9:16, 1:1, 16:9) because every platform has its own, and a single version cropped for all of them loses half the frame. Working files and intermediate projects stay with us for future reference, and you can request them.
Revisions are open at two stages: the model sheet (how the model and the product look) and the shooting board (the shots and their order). Through both we revise with you until you are satisfied, and nothing proceeds without your written approval. Approving the shooting board is what starts production, and from there the work is executed exactly as approved, with any change quoted as new work. The reason is not rigidity: production itself takes time and resources that are committed against your approval, and changing a shot after it has been produced means running the stage again. So we concentrate revisions where they are free and fast.
Four things. Real photographs of your product from several angles in decent light, since that is our reference for accuracy. Your brand assets: logo, colours, typefaces. Clarity on the message: who this ad is speaking to and what you want them to do after seeing it. And one person on your side who can approve the script, because scattered approvals are the single biggest source of delay.
A product film starts at 10,000 EGP and reaches 15,000 by length, shot count, and the ratios you need. Several films made together bring the per-film price down. Narrative campaigns with characters and many scenes are priced differently and the quote states it. Payment is 50% up front to begin and 50% on delivery. And worth saying plainly: this is not cheap in absolute terms, and someone will do it for less. What we compare it against is that getting the same shot with a camera needs a studio, a photographer, a lighting crew, a food stylist if the product is food, and a full day of your own time, which can reach 50,000 EGP for a single film.
Next step
You do not need a finished brief. Tell us what the product is, where the ad will run, and what you want people to do after they see it. We take it from there.
Within one working day
We come back with a few short questions about the product and the message, then a quote with scope, revision count, and timeline.
After approval
We build the model sheet, then the shooting board, and review both with you. This is the stage where revisions are open and free.
Within 10 days
You receive the final films with edit and sound, in every agreed ratio.
Who replies
One of the people who does the work
Whoever reads your production request works on the videos themselves. If you have a visual reference you like, send it on WhatsApp.
Our clients
Some of our clients, across sectors with nothing in common.
